In 1966, Tony and Nancy Spilotro (the real Nicky and Jennifer Santoro) adopted their only son, Vincent. In December 1979, Tony Spilotro, the real-life Nicky Santoro, was blacklisted by the Nevada Gaming Commission, preventing him from entering any casino. To learn more about Frank Rosenthal's wife and family, read Nicholas Pileggi's book Casino, which was the basis for the Martin Scorsese movie.ĭid Nicky really get banned from every casino in Vegas? Robin Marmor was born on December 27, 1957, and was eleven years old when her mother met Frank. Geraldine also had a daughter from a previous relationship with her high school love, Lenny Marmor (James Woods' character in the movie). The Casino movie true story reveals that Sam and Ginger Rothstein's real-life counterparts, Frank and Geraldine Rosenthal, had a daughter named Stephanie and a son name Steven. Miami Heraldĭid Sam and Ginger have a daughter like in the movie? The actions taken were meant as a message to the group to deter any of the others from coming back to do the same. The two men who were electronically signaling each other were part of a larger group that had been scamming all the casinos for an extended period of time. Online Nevada Encyclopediaĭid security really crush the hands of a cheater?Īccording to Frank Rosenthal himself, yes, this did occur but not under the circumstances portrayed in the movie Casino. Glick was portrayed in the movie Casino by character Philip Green (Kevin Pollak). After being pressured by the mob, the Teamsters fund loaned the Argent Corporation, solely owned by Allen Glick, the money to buy the Stardust and other casinos. The Departed is a terrific movie, but it really doesn't feel as personal as his other crime films. Goodfellas is easily the most entertaining one, but all of them are, in the end, pretty sad movies about lost friends and ruined lives. He starts out so wild and edgy with Mean Streets, and ends up so serene and refined with The Irishman. And they all have DeNiro, Scorsese's most iconic collaborator, which adds a layer of meta-ness to the theme of friendship through the ages.Īlso, personally speaking, I think watching those movies in sequence really shows how he has improved as a filmmaker over the years.

If there is a unifying theme that I see, it's maybe 'toxic friendship'. With the exception of The Departed, his crime movies seem to have lead characters whose age at the end of the film roughly corresponds with Scorsese's age when he made it:

I don't know if they really qualify is a coherent series of films.īut I do think it's that it's a really fascinating way to track the evolution of Scorsese as a filmmaker, and a human being, by watching his crime movies.

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